We would like to extend our sincere thanks to all the people who made this project
a reality. Ruthanne Dhuse and Don Blakeman, the directors of the Defibaugh
Technological Learning Center, where this madness happened, for being (al)most supportive. All of the people who hang around the DTLC, for doing our “Beta testing.” Apple Computer, Mindscape Software, and T-Maker for the clip art used. Macazine, from whom we stole some of the sound resources. Dark Castle, from which Macazine stole some of the sound resources. David Rakowski and Monty Python for “I’m sorry, I’m going to have to shoot you.” Tim Fugmann for help with the lyrics to the “Crunch-O” song. Sandra M. Taylor for the Betty and Harv artwork. We would also like to thank the many, many, MANY folks who were kind enought to put up with “burping” Mac Pluses, Dark Castle blasting at volume 7, that terrible“Crunch-o” theme (what's wrong with the Crunch-O theme? Sean), Jeane’s silly giggling at the fiendish wieners, Jonathan Ireland for putting up with our little “joke,” and a host of other things that would take forever for us to type in, and frankly, we don’t have that kind of time. So au revior, bon soir, and “Good night Mrs. Calabash, where ever you are.”
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This stack was created in the Defibaugh Technological Learning Center at the King's College, using Bill Atkinson's Hypercard, v1.2. The DTLC has a Macintosh Plus workcenter, with AppleShare file serving software. There are 7 Mac Plus’, one SE file server, and a Mac ][, all of which were used at one time or another. Thanks, Bill, for making Hypercard, so that we had something to do on those long, cold nights when we should have been doing homework.
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John was responsible for the initial idea that we should do strange things in
Hypercard, artsy stuff, abusing other people’s artwork, and getting us into a
lot of trouble by saying “Hey, there could be sound effects!”
Jeane was responsible for some more artsy stuff, lots of fine tuning and general zany input, and saying
“Ooooh, I LIKE that!” when we were just getting started.
Sean was responsible for a lot of scripting and was the chairman of the “Stealing sound resources” comittee, as well as the “Crunch-o” theme. Much of the storyline arose from his ideas, or John's warping of his ideas. He wrote a lot of the narrative, but he can't draw to save his life,(actually, he draws incredibly wild guitars) as demonstrated by the above portraits of John and himself.
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